FREQUENZE LIBERE

Félicie Bazelaire presents her captivating solo double bass project. Followed by Air Pressure, a live performance weaving together Antarctic field recordings and experimental practice. A sonic exploration of air, pressure, vibration and resonance.


Air Pressure is a live performance born from the dialogue between field recordings from Antarctica and experimental performance practices. The duo explores the physical presence of air, pressure, vibration, and resonance. The result is an improvised exchange between site-related sound materials and live gestures, through which environmental recordings are transformed into a dynamic and spatial sonic experience.

The tanbur is a Turkish long-necked lute. Merve Salgar plays it from within its Ottoman tradition, yet with an experimental approach. Together with cellist Anil Eraslan, she explores the intersection of her Eastern roots and contemporary musical practice.

Francesco Giudici creates in his solo guitar performance minimalist sonic landscapes that evoke cinematic and emotionally ambivalent atmospheres.

At the core of Sonic Alchemy lies electroacoustic improvisation as an open and process-based practice. Natalie Peters’ voice, instruments, and electronics enter into an equal dialogue in which sound is understood as a fluid and constantly evolving material. Voice, instrument, and electronics interact on equal terms, forming a dynamic system where sonic matter is continuously reshaped in real time through improvisation.

Strotter + Rotzler treat their instruments as bodies and objects, generating a continuous sonic flow that carries both performers and audience. Double bass and turntable are used non-conventionally and shaped through sonic research into layered, meandering textures.

Andrea Neumann performs in her solo performance The Form of the Day using the inside piano she developed, which is amplified and no longer uses conventional striking techniques.

Christian Kobi and Christian Müller present with “A Second Day” a radical new sonic world of their reed instruments.