FREQUENZE LIBERE

Francesco Giudici creates in his solo guitar performance minimalist sonic landscapes that evoke cinematic and emotionally ambivalent atmospheres.

At the core of Sonic Alchemy lies electroacoustic improvisation as an open and process-based practice. Natalie Peters’ voice, instruments, and electronics enter into an equal dialogue in which sound is understood as a fluid and constantly evolving material. Voice, instrument, and electronics interact on equal terms, forming a dynamic system where sonic matter is continuously reshaped in real time through improvisation.

Strotter + Rotzler treat their instruments as bodies and objects, generating a continuous sonic flow that carries both performers and audience. Double bass and turntable are used non-conventionally and shaped through sonic research into layered, meandering textures.

Andrea Neumann performs in her solo performance The Form of the Day using the inside piano she developed, which is amplified and no longer uses conventional striking techniques.

Christian Kobi and Christian Müller present with “A Second Day” a radical new sonic world of their reed instruments.

A solidarity concert curated by Natalie Peters with Ensemble Sous-Sol and Friends to draw attention to the humanitarian crisis in the Middle East and support humanitarian organizations working in Gaza, Lebanon, and Iran.